How Are We Clay?

Jeremiah 18:1-4

potter
I don’t know how many of you have ever made pottery or at least watched someone else do it. It is a fascinating process and one that requires great patience, care, and creativity. Also, at least in my case, pottery-making involves A LOT of mistakes and starting over again.

Perhaps this is why many people in the Christian and Jewish traditions embrace a very small portion of an otherwise-ominous book of Hebrew prophetic scripture called Jeremiah. In general, most of the prophetic books are ominous and quite pessimistic, but in all fairness, it makes sense. I mean, consider Jeremiah’s context. These prophetic writings were penned over about four decades of not-so-great times in Israel, starting with the thirteenth year of King Josiah (627 BCE) and finishing with the eleventh year of King Zedekiah (586). In short, Jeremiah experienced the time in Israel just before, during, and after the fall of Jerusalem when the Babylonians took over. So obviously, Jeremiah’s words are generally pessimistic.

What is interesting theologically about Jeremiah is the tension between what is called “temple theology” and “covenant theology.” Real quick explanation. Temple theology says: nothing bad will happen to us [in this case, Israel] because Yahweh will protect us and the religious temple of Jerusalem. Covenant theology, on the other hand, says: Yahweh will reward us for our obedience and punish us for disobedience. It is “if-then” philosophy, i.e., if we do this or that, then Yahweh will do this or that.[1] 

This tension, I argue, still exists in modern theology today. Some people [across religious traditions] believe that no matter what, a higher power will save them/bless them/protect them. Many times they believe that because they assume that the higher power accepts their religion as the best one or the truest one. And then contrarily, there are some who believe that this higher power will reward and punish them based on their obedience or disobedience of particular religious rites and rules. Okay, still with me? Do you identify or resonate with either of these viewpoints? Were you raised to believe something similar?

As you think about that, now consider the allegory/image of the potter. Within this image are these two viewpoints, and I will suggest, an alternative viewpoint as well. First, consider what a potter might have been in the time of Jeremiah. Judean ceramic pots, in Jeremiah’s image, would not have been ornate, decorative works of art. These pots would have been functional, made of cheaper materials, and expected to last only a short time. This is why when YHWH calls on the prophet to visit the potter, this is normal and something that he would do quite often. Time for another pot as the last one no longer was usable. But don’t let this fool you. The old pots and the clay, for the potter, are not trash.

The potter is constantly interested in recycling and reuse.

For example, those of you who are potters know that a potter will periodically start a project and then decide that the project is failing and so they will abandon the original idea and start something new. I have heard that potters keep containers of scraps of clay and even pieces of old projects. These discarded pieces can be used or reclaimed as usable clay for new projects. Considering that, this is where I find an alternative to the temple and covenant theology I mentioned early.

I am not one to believe in a Yahweh/God/higher power /presence that punishes and rewards people according to how much they obey or disobey certain rules or moral codes. Neither do I buy the idea that the Divine favors one religion or nation over others, no matter what. For me, it’s all about the potter and the clay—very simple. Potters don’t waste clay. They recycle. They rework the clay. It’s not punishment or reward. It’s not favoritism.

It’s love of the art, the creative spark, and the hope that even discarded pieces from failed projects can be a part of something new, wonderful, and whole.

The discarded clay can be part of a new ceramic vessel and hold something important like wine, water, or oil.

So what do you think? How are we clay? What are your thoughts about this image?

[1] See Alphonetta Wines, “Thinking the Unthinkable: God as Enemy—An Image of God in the Book of Job and Other Books of the Hebrew Bible” (PhD diss., Texas Christian University, 2011), 58.

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Josh grew up in the Midwest before completing a B.A. in Theatre at Northwestern College [IA] and a Masters of Divinity [M.Div.] at Princeton Theological Seminary [NJ]. An ordained minister in the United Church of Christ [UCC], Josh has lived and worked in the Midwest, East Coast, Hawai’i, and Mexico. He is the co-founder and Executive Director of The Welcome Project PA, host of the Bucks-Mont PRIDE Festival, and he is Pastor of Love In Action UCC, an open and affirming congregation featured in a Vox Media episode of Divided States of Women with Liz Plank and in the Philadelphia Inquirer. Josh has 20+ years of nonprofit experience, including leading workshops and training in corporate, medical, and academic settings, focused on diversity & inclusion, grant writing, fund raising, and program management. Josh is a fellow of Interfaith Philadelphia, and designs and coordinates HS and University student groups for interfaith immersion service-learning weeks. Josh also co-facilitates Ally trainings for LGBTQIA+ inclusion and interfaith cooperation. He is a founding member of The Society for Faith & Justice, and a Collaborator for Nurturing Justice, and a member of the Driving PA Forward team via New Sanctuary Movement. He also performs regularly with the dinner theatre company, Without a Cue Productions, and has developed theatre arts curriculum for use in religious and secular settings. Josh also enjoys running, singing, traveling, learning languages, or making strange and funny faces. He lives in Center City Philly.

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